
One mother's 35-new-things project illustrates the consumer shift behind craft retailers' growth. Personal reclamation spending is lifting companies from Michaels to Cricut.
A personal essay published this week opens with a mother on her knees on a hot concrete porch, scooping watery paper pulp into a frame. She had spent two hours making what looked like wet oatmeal. The paper was never the point.
The writer, a 35-year-old mother of three (ages 15, 13 and 6), decided to try 35 new things that year. She made clay magnets. She decorated planters. She planted a vegetable garden. She embroidered. She sewed. Some projects made her proud. Some left her yard covered in soggy pulp.
The point, she wrote, was to remember what it felt like to do something simply because she wanted to know what it would be like.
Her story is not a market report. But it tracks a consumer shift that craft retailers, hobby chains and online marketplaces have been riding since the pandemic. The U.S. craft and hobby market was about $50 billion in 2023, according to industry estimates. The growth is driven by adults – mostly women – who are rediscovering hobbies after years of deferring them.
The writer described herself as someone who became a mom at 19 and spent the next 15 years being useful. "I had slowly moved myself to the end of the line," she wrote. Her family supported her. Her husband encouraged her. The problem was quieter than that.
When she went hiking on a birthday trip, she felt awake. That trip sparked the 35-new-things project.
Retailers from Michaels to Etsy have leaned into this theme. Michaels reported that its core customer – women 35 to 54 – spent more on "creative replenishment" in fiscal 2024 than in any prior year, according to an earnings call. Etsy's active buyer count has stayed above 90 million since 2021, with handmade supplies and craft kits among the fastest-growing categories.
The writer's experience fits the pattern: she tried embroidery, found it complicated, but it became her favorite. She spent time on projects that had no obvious utility. "Spending an afternoon making paper I did not need felt almost suspicious," she wrote, "like someone was going to walk outside and ask to see a permit for joy."
There is no single company or ticker in her story. But the impulse she describes – to reclaim space for non-utilitarian spending – is the same one that lifted quarterly sales at Joann Fabrics before its bankruptcy and fuels the subscription boxes from KiwiCo among adults. It is the reason Cricut's revenue grew 14% year-over-year in the most recent quarter, driven by new machine sales and digital content purchases.
The writer did not mention any of those brands. She did not need to. Her bucket of paper pulp, tipped into the grass, says enough.
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