
Rankine's 'Triage' follows a poet who chooses quiet over action as a friend pushes for more. The book rejects easy resistance and ends on a refusal to host a Gaza family.
Claudia Rankine's new book, 'Triage,' opens at a lecture where a theorist is asked how they feel about 'what's going on in the world.' The theorist replies: 'Sometimes I want to throw myself in front of a speeding car.' The narrator, a poet nearing sixty, watches from the audience. She has not spoken to the theorist in decades. Their estrangement stems from conflicting responses to personal and planetary distress. The theorist values speech, equating it with action. The narrator values quiet, viewing it as 'a portal to the mystery of an interior life.'
'Toomuchness' is the phrase the theorist uses to describe life in the present. Rankine repeats it as shorthand for psychic overwhelm. The narrator has played at lifelessness since childhood. She enters college 'dead on my feet.' She first spots the theorist tearing down posters of women in bikinis. The theorist's actions remind her of Tommie Smith's and John Carlos's raised fists at the 1968 Olympics. 'One might act despite the impossibility of change or one might act to spite the impossibility of change,' the narrator reflects.
The pair fall to the ground together as a ritual. Playing dead helps them come alive. The narrator tells the theorist they will rise as one, then doubts it: 'Our twinning occurred through our downward motion.' The narrator was born to a mother who blamed her for the joint injuries of childbirth, her grandmother's death, and a rape. The theorist was born in Ramallah, into occupation. Palestine is not named until halfway through the book.
'Citizen' (2014) deployed the second person to place the reader in moments of racist identification. 'Just Us' (2020) dropped the second person. 'Triage' is Rankine's first publication since that trilogy. The narrator has found a temporary landing place: couches. She writes about couches 'because what else is there once one's fallen away from faith in each other.' The theorist refuses to join her in repose. They see her fixation as 'getting in the way.' By the end, the theorist has been beaten to the ground by police at a protest in Berlin.
The narrator decides not to host a couple fleeing Gaza in her spare Berlin apartment. The book concludes on a deflation. The theorist's contributions are drawn from the work of Lauren Berlant, thanked in the acknowledgments. Kevin Quashie and Judith Butler are thanked as well. 'Triage' has been labelled as nonfiction, with a disclaimer: 'Any resemblance to actual persons, living or dead, or actual events is purely coincidental. Unless it isn't.'
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