
A cast of disabled and non-disabled performers staged 'The Trojan Women' at Epidaurus with full accessibility, marking a first in the ancient theater's 2,300-year history.
EPIDAURUS, Greece – A cast of disabled and non-disabled performers staged Euripides' "The Trojan Women" at the ancient theater of Epidaurus, in what organizers called the first fully accessible performance in the 2,300-year-old venue's history.
The Aug. 2 production, produced by the National Theater of Greece, shifted the focus away from the homecoming heroes of Homer's "The Odyssey" – recently thrust back into the global spotlight by Christopher Nolan's film – and onto the women left behind in Troy's ruins. Forced into exile and enslavement, they embody the suffering that war leaves in its wake.
Accessibility services covered the full range of disabilities. Blind audience members received Braille programs and tactile models, plus live audio description. Deaf spectators followed overhead titles. The site itself underwent physical adaptations to improve access.
Greg Polychronidis, a Paralympic gold medalist who attended the performance, called it a milestone. "It's the first time a performance at Ancient Epidaurus has been made accessible to everyone," he said. "Today was a celebration of equality and it should serve as an example for everyone, forever."
For the performers, standing on that ancient stage carried its own weight. Eirini Kourouvani, a 58-year-old cast member who uses a wheelchair, had never set foot inside the theater before. "It is just grand," she said. "I feel my heart opening up as wide as this theater is."
Ioanna-Maria Gertsou, a blind psychologist, attended with her guide dog, Babu. "We too have the right to attend performances on an equal footing," she said, relieved that her dog remained quiet during the play.
The accessibility services were designed by the nonprofit Liminal, with financial support from Greece's Alpha Bank.
Argyro Chioti, the National Theater's artistic director, said the production should become the standard, not an exception. "This was complex, not simple. It required months of planning. It cost money. And it required very specific organizational expertise," she said. "But that's the standard and venues we need to reach – the major stages and the major theaters."
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